Sunday, 14 March 2010
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Man On Wire Meets Laundry & Tosca Hot

 

Feature Film

Title Man On Wire
Release Date 2008
Genre Documentary
Film Director James Marsh

James Marsh's documentary Man On Wire is captivating on many fronts. The film tells the story of the French, high-wire-walker, Philippe Petit's illegal performance between New York City's World Trade Center's twin towers in 1974.

First, there is the Ocean's 11-like scheming, planning and executing of the long planned performance. Or, there is the fertile ground which spawned such an amazing feat: the bohemian, play-infused life-style that Philippe and his friends live. And then we experience the glaring paradox between what the twin towers inspired Philippe to do, and what it inspired others to do on September 11, 2001.

But none of these are the layer that most thrilled and moved me.

Philippe's simple understanding of himself, and his grasp on the reason for his being in this world, makes him a person most worth experiencing. Maybe because I am at the age where mid-life crisis sets in, or because I spend so much time around college undergrads that constantly wrestle with the direction of their life, but the focus and direction that Philippe Petit exhibited from a young age strikes me as marvelous.


Last month, the delightful short film Laundry & Tosca [watch here] introduced me to an equally inspiring woman named Marcia Whitehead. While Marcia has taken a more legal approach to self expression (opera singer), she has poured no less blood, sweat and tears into her work. Marcia's story is deeply inspiring.

Vocation is a tricky thing. Just this morning I explained to my almost three year-old son that not everyone has money to go to the store, to buy what they want or need. (His response to not having something is always "we need to go to the store and buy some!") When he asked me why not, I told him it may be because they do not have a job. This lead me to explain the reason why I leave to go to work-so we are able to buy things.

It is amazing how messed up life sounds when you try to explain it to a little kid. I'm not sure what is more disturbing to tell my son: some people don't have a job, or the job that I have is simply a means to our financial ends.

Both feel like a twisted, broken reality in our world.

Sometimes I wonder if most people really don't know who they are. Or perhaps they just don't have the nerve to become that person.

May Philippe and Marcia forever stand as pictures of what it looks like to perform life well.

Man On Wire Trailer:

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TAGS: documentary , short , reality , oscar 2009
Comments (1)add comment

Brandon Kertson said:

0
Man on Wire Shows Art on Wire
Man On Wire, the 2009 Academy Award winner for best documentary and the winner of the Eddie for best editing in a documentary was completely deserving of both awards. Directed by James Marsh, Man On Wire was filled with life, beauty and the lived hope of reaching impossible dreams. It tells the story of Philippe Petit and his team of social deviants who set up a circus version of a great bank heist by illegally performing a high wire act on a wire suspended between the World Trade Center’s “two towers” in 1974 just one year after their dedication. Petit had been known to do illegal high wire acts before in his home country of France and in Australia, and when he saw that the two towers were opening, he knew that he had to do it. In his words, “It’s impossible, that’s sure. So let’s start working.”

Marsh tells the story of all his team went through to prepare for the daring and necessarily clandestine feat using interviews with the members of Petit’s team, live footage shot by the team themselves, as well as reenactments, both shot in vintage black and white and in color. The film had amazing still photography of skyline where he had performed and of him performing that was often breathtaking. There was also imaginative camerawork and editing throughout the reenactments that made them come to life and helped the viewer to feel embraced by the story voyeuristically.

What truly compelled the story was the mystery of how they would perform so great a feat and the outstanding personalities of people like Philippe and his team. It was a joy to watch the passion that each one had for the beauty of a person seemingly suspended on air at such a great height. There was excitement as they retold how they snuck in and hid from guards, there were tears as they remembered the fear they had rigging the wire and the joy they had when it worked. The film was a testament to living your dreams and living for what you are passionate about. Philippe embodied this spirit as he said, “If I die, what a beautiful death!” At first it sounds like the talk of a madman, but then you see him instead as a passionate man who has grabbed hold of life.

Lying beneath the surface is a social critique of a world where we live more by rules than our passions; where we allow rules that are really of no consequence to keep us from experience passion and beauty, and from accepting life as a gift. As Petit said in the film, “To me, it's really so simple, that life should be lived on the edge. You have to exercise rebellion. To refuse to tape yourself to the rules, to refuse your own success, to refuse to repeat yourself, to see every day, every year, every idea as a true challenge. Then you will live your life on the tightrope.”
May 25, 2009

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